Archive
The Cult of the Novel
A Literary Context For Contemporary Entheogenic Visionary Experience
What do you do if you’ve undergone a profound, like-changing mystical revelation and you want to articulate it in a way that’s workable, comprehensible and will make people take you seriously and not simply dismiss you as a headcase? Unless you already have an appropriate platform in place, it’s not an easy one. Within evangelical churches, most everybody is a visionary and their visions have a uniformity of focus and topic. Outside of such accepted institutionalised frameworks, highly vocal ‘visionaries’, perhaps infected with manic zeal—that certainty that the whole outside world must be automatically tuned into your special wavelength—and publicly acting out accordingly, might well find themselves being dealt with under the Mental Health Act. Labelling religious zealots as ‘lunatics’ has proved doubly convenient for societies throughout the ages, since the visions can be written off as ravings and the subjects can, if needs be, contained through incarceration, medication or both. And if the visions happen to be drug induced, then this is an even greater reason for their rejection by the world at large.
In the autumn of 1979 I underwent a three-week epiphany, an elevation into a higher, cosmically connected visionary space as a result of two medium-dose psilocybin mushroom trips taken close together. I imposed a Zen Buddhist, neoshamanistic context on the experience, as they were my preoccupations at the time. So in those terms I had achieved satori, become enlightened, attained a foothold in Ultimate Reality, which was the same as ordinary reality since the Cosmos had become an undifferentiated whole. In a more conventionally religious context, I could be said to have ‘found God’. Looking at the state from a psychological perspective, it was anything but ‘psychotic’, in fact quite the opposite, being super-connected, high functioning, exuberant, ecstatic. In this it had something in common with mania and hypomania, though it never tipped into the delusion, irrationality and destructive behaviour that often accompany true bipolar disorder. Though I was extraordinarily, superlatively high—‘on top of the world’—I hadn’t relinquished the frame of my ordinary life and in myself I felt basically healthy. Read more…
Share this:
‘Man of Letters’

LSD-inspired photomontage described in Chapter 17 of The Mad Artist
Pages
Recent Posts
The Mad Artist on Twtter
- LSD Photos: Chelsea Morgan Mimics Psychedelic Experience In Trippy Photos (INTERVIEW) huff.to/18qSeAJ via @HuffPostArts 2 weeks ago
- My review of The Substance: Albert Hofmann's LSD now reprinted, most appropriately, on Psypress UK : wp.me/pnXbX-18L via @PsypressUK 2 weeks ago
- Literary Review: 'Erin' by Robert Dickins nblo.gs/KbaXm 1 month ago
- My review of Rob Dickins' excellent first novella – Literary Review: 'Erin' by Robert Dickins: wp.me/pnXbX-17B via @PsypressUK 1 month ago
- RT @PsypressUK: Erin - A novella by PsypressUK editor Robert Dickins - coming soon! Illustration by Tom Andrews fb.me/JIMMRBEl 1 month ago
- My review of this solid Swiss-made doco:The Substance: Albert Hofmann\'s LSD film.thedigitalfix.com/content/id/763… via @FilmDigitalFix 2 months ago
- So I got 6 out of 10 Ang Lee was a surprise but well deserved The Digital Fix Predicts the Oscars film.thedigitalfix.com/content/id/762… via @FilmDigitalFix 2 months ago
Categories
- Cinema (4)
- Drug-Lit Classics (1)
- General Drug Lit (5)
- General Literature (2)
- Psychedelic Literature (15)
- Short Films (1)
- Social Media (1)
- The Mad Artist (10)
Archives
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| « Apr | ||||||
| 1 | 2 | 3 | 4 | 5 | ||
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 31 | ||


