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#Review Literary Stalker by Roger Keen @The_Mad_Artist @DV_Publishing

December 17, 2017 1 comment

New review of Literary Stalker from top fiction blogger Lorna ‘LJ’ Cassidy of On The Shelf Reviews.

On The Shelf Reviews

Title: Literary Stalker by Roger Keen.

Publisher: Darkness Visible.

Genres: Horror, Mystery/Thriller, Psychological, LBGTQ

Published: 17th September 2017

Description:

If you value your life, don’t dare to suggest to Nick Chatterton that he’s not a good writer!

Nick is embarking on his latest crime/horror novel – a pastiche of the Vincent Price movie Theatre of Bloodwhere Nick draws up a hit list of his enemies within the writing world and gets his narrator to dispatch them according to the plots of classic crime and horror movies, such as Reservoir Dogs.

Top of the list is a writer who is both a superstar of the horror genre and who in Nick’s reckoning has wronged him the most. Nick first met Hugh Canford-Eversleigh at a reading more than a decade ago and fell madly in love with him, interpreting their encounter as the start of a magnificent affair…

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The Beat Writers and the Psychedelic Movement

March 16, 2017 1 comment
Allen-Ginsberg-and-William-S-Burroughs cropped

Allen Ginsberg & William Burroughs in later years.

 

This article was adapted from my talk at Breaking Convention 2015, held in London at Greenwich University. It has now been published by the excellent Oak Tree Review, which investigates the many branches of psychedelic culture throughout history, specialising in its manifestations in art and literature.


 

In their activities and writings in the late 1940s and ’50s the Beat writers – principally Jack Kerouac, William Burroughs and Allen Ginsberg – prefigured and influenced the Psychedelic Movement, which came into flowering a generation later. When those epoch-making cultural changes got underway in the ’60s, the Beats were naturally looked upon as mentor figures and elder statesmen, and Timothy Leary, who was of the same age group as them, was happy to recruit and induct them into the cause – through his Harvard program. This produced some unexpected and volatile results – Tim Leary got more than he bargained for – and the end product as regards the three major Beat writers was one spectacular success, one mixed case, and one spectacular failure.

It all started in New York in 1943, within the Columbia university scene where the Beats first hooked up. At the time Jack Kerouac was in his early twenties, and already saw himself as a writer. Bill Burroughs was older, in his late twenties, and was known as a raconteur and intellectual, and became a mentor figure to the group. Allen Ginsberg was the kid, still a teenager, and just enrolled at Columbia. There were other key people in the group, such as Lucien Carr, another student, and everybody became fictionalised in Kerouac’s novels – most notably On the Road.

At around this same time Burroughs first tried morphine and became an addict, so the events of his first novel Junkie run roughly concurrently to On the Road. In both books, which are strongly autobiographical, there are many references to recreational drug use, and they open a marvellous window onto pre-psychedelic bohemian life – exactly the kind of scene which would develop eventually into the hippie scene.

Read more on: The Oak Tree Review

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