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Literary Stalker, Metacrime and Metafilm

Guest post for The Haunted Reading Room, which travels the meta-road from highbrow Borges and Martin Amis to the popular culture of Wes Craven’s Scream series and Joe Hill’s stories, relating it to the writing of Literary Stalker. Thanks to Mallory Heart for hosting.


 

Though Literary Stalker is primarily a psychological crime/horror novel about revenge, another important aspect is the metafictional dimension, the nested novels-within-novels and the self-conscious play with the different levels of the ‘real’ and ‘fictional’. When I mention a word like ‘metafiction’ I can almost hear the groans of some readers, expecting to get a lecture on highbrow postmodernist writing of the kind practised by Borges, Nabokov, John Barth, Doris Lessing and Martin Amis…to name but a few. Or on films by the likes of Fellini and Truffaut. Yes, all that self-referential deconstructionist stuff hardly conjures up a vision of a fluent entertaining read or watch, but still the principles of metafiction have filtered down into the mainstream somewhat, and have also reached works of popular culture.

Read more on The Haunted Reading Room

 

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