Interview: Roger Keen (via Psychedelic Press UK)

Covers the writing of The Mad Artist, my thoughts on favourite psy-lit and views on the psychedelic and publishing scenes.

Roger Keen is an English film-maker and writer. He spent nearly 30 years working for companies like the BBC and ITV making television dramas, documentaries, news and consumer programmes. Since 2006 he has concentrated on his writing and his novelistic memoir ‘The Mad Artist – Psychonautic Adventures from the 1970s’ was published in 2010. Set between 1975 and 1979, The Mad Artist explores Roger’s experiences of psychedelic awakenings – the trials … Read More

via Psychedelic Press UK

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The Cult of the Novel

A Literary Context For Contemporary Entheogenic Visionary Experience

What do you do if you’ve undergone a profound, like-changing mystical revelation and you want to articulate it in a way that’s workable, comprehensible and will make people take you seriously and not simply dismiss you as a headcase? Unless you already have an appropriate platform in place, it’s not an easy one. Within evangelical churches, most everybody is a visionary and their visions have a uniformity of focus and topic. Outside of such accepted institutionalised frameworks, highly vocal ‘visionaries’, perhaps infected with manic zeal—that certainty that the whole outside world must be automatically tuned into your special wavelength—and publicly acting out accordingly, might well find themselves being dealt with under the Mental Health Act. Labelling religious zealots as ‘lunatics’ has proved doubly convenient for societies throughout the ages, since the visions can be written off as ravings and the subjects can, if needs be, contained through incarceration, medication or both. And if the visions happen to be drug induced, then this is an even greater reason for their rejection by the world at large.

In the autumn of 1979 I underwent a three-week epiphany, an elevation into a higher, cosmically connected visionary space as a result of two medium-dose psilocybin mushroom trips taken close together. I imposed a Zen Buddhist, neoshamanistic context on the experience, as they were my preoccupations at the time. So in those terms I had achieved satori, become enlightened, attained a foothold in Ultimate Reality, which was the same as ordinary reality since the Cosmos had become an undifferentiated whole. In a more conventionally religious context, I could be said to have ‘found God’. Looking at the state from a psychological perspective, it was anything but ‘psychotic’, in fact quite the opposite, being super-connected, high functioning, exuberant, ecstatic. In this it had something in common with mania and hypomania, though it never tipped into the delusion, irrationality and destructive behaviour that often accompany true bipolar disorder. Though I was extraordinarily, superlatively high—‘on top of the world’—I hadn’t relinquished the frame of my ordinary life and in myself I felt basically healthy.